Emily Kennedy is a cellist and composer based in Fredericton, New Brunswick. Often seen collaborating with electronic musicians, dancers, visual artists, and songwriting projects, her personal practice is an opportunity to synthesize her classical training with her interests in improvisation, minimalism, field recordings, and pop music. She mulls over translation, repetition, self reflection, and time in her work, using loop and effect pedals to expand the possibilities of her instrument. She is a graduate of the performance program at the University of Ottawa and Wilfrid Laurier University. Her interest in performing and writing new music has brought her to Banff’s Concert in the 21st Century residency, the Britten-Pears: Composition, Alternative Performance and Performance Art program in Aldeburgh, UK, Montreal Contemporary Music Lab, and RE:FLUX Festival in Moncton, NB with improv trio Terre Wa. Emily was fortunate to be the Emerging Musician in Residence at the University of New Brunswick’s 2017-18 season. As a classical musician, she frequently performs with the Elm City String Quartet, guitarist Steven Peacock, Symphony New Brunswick, Atlantic Sinfonia, and as a part of UNB's musicUNB Performance Series. Outside of the classical music world, Emily is active in genre-crossing projects, collaborating with poets, textile artists, and dancers. She has toured Eastern Canada with electronic project Siding (formerly Property//), created installation work with all female electronic improv trio Terre Wa, and writes and sings for the string duo Pallmer. Emily has taught cello at Mount Allison University, and maintains a full private teaching studio in Fredericton.